Presentations
The main idea of the new Bonaldo collection is to create a dynamic, fully coordinated atmosphere. Its unique style reflects well-being and comfort, elegance and light irony. The factory responds to the cultural changes of modern consumers in search of ever more sophisticated, “complex” and non-standard flooring systems. Bonaldo Chief ambassador of the Italian lifestyle around the world.
Leucos embodies a new perspective on design, courage and openness, as well as the desire to illuminate the space of our daily lives.
Before the revolutionary changes of 2001 Crystal It was a company specialized in the production of glass accessories. Hence the name, which comes from the combination of two words: “cristallo” and “Italia”. The name underlines another characteristic of the company – transparency. This is one of its core values and applies to the way it designs projects, production processes, advertising and even comfortable and light office spaces.
company Terzani Born in Florence, the cradle of the Renaissance, it follows the creative charm of this city. When you look at the design of Terzani luminaires, you not only see, but also feel that their light enchants the surrounding space. It is more than a practical, utilitarian design, it is an aesthetic that represents contemporary beauty.
Design Matings – simple and functional, and the colors express liveliness and personality. The factory produces modern furniture pieces made from safe materials with low environmental impact. This year, new categories have been added to the main product range. These are concise bookshelves, dressers and accessories that personalize living spaces. Versatile and stylish, the new products are true to the spirit of Connubia.
Lipparini’s work draws on the relaxed forms and clear, strong lines that characterize Italian minimalism. The designer expands the palette of this style by making liberal use of organic textures and vibrant imagery, bringing intimacy and closeness. The Italian designer’s influence Mauro Lipparini It has been recognized all over the world. It won the prestigious Good Design Global Awards in 2011. It is also the winner of Young & Design Milano and the International Du Pont Award Cologne.
Marka MC Meroni & Colzani It is the result of the merger of two family craftsmen, operating in Brianza for over 50 years. They have a common course based on tradition and Italian quality. Made in Italy is the main concept of the factory. All the products and exclusive designs designed by MC are made by Italian craftsmen. Based on a wealth of experience, they work carefully with wood, leather and luxury fabrics, using the latest technology.
Christopher Guy is a British luxury furniture designer known worldwide. His international company Christopher Guy Famous for its wide range of unique decorative mirrors: round, oval, rectangular, square, sun, star, flower… Its designs combine excellent craftsmanship, love of detail, originality, harmony of form and function. The frames are carved from Indonesian wood, made according to ancient traditions and coated with gold. Christopher Guy Mirrors they are more often perceived as author's art objects and serve as decoration for both private and commercial interiors.
The avant-garde designers of Italy in the 60s, close to radical Italian design. Many of them were not professional designers, but architects or mainstream artists. This radical design is sometimes called “Anti-design”… They liked to work in groups: Archizoom in Florence, Studio 65 in Turin, Studio 9999, UFO. They mostly appeared in the mid-60s. Later, in 1975, the group Alchimia appeared in Milan and in the 80s – the youngest and most famous – the group Memphis. Members of these groups sometimes moved from one to another. Andrea Branzi, for example, founded the group Archizoom in the mid-60s and joined the group Alchimia in 76. The architect Ettore Sottsass Jr. was also a member of Alchimia and later founded Memphis.
In the sixties, the new profession of industrial designer, which had emerged in the United States, had finally established itself in Europe. In addition to state and public organizations involved in design support, schools and courses were opened in many countries, where they trained industrial designers in the strictest sense of the word, that is, not designers of objects, but universal specialists. The Ulm School of Design was the model for most of the schools. In the second half of the sixties, its graduates entered the profession, and this was the first generation of professional designers in Europe.
